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Free for Commercial Use

Inline Ebfa 4 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Philo Sophy Color' by TrueBlue (names referenced only for comparison).

Keywords: headlines, logotypes, posters, packaging, ui display, futuristic, playful, retro-tech, neon, neon effect, tech styling, graphic impact, friendly modernity, geometric, rounded, monoline, double-stroke, outline.


Free for commercial use
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A rounded geometric sans with monoline construction and a distinctive inline/outline treatment: a continuous inner cut creates a double-stroked, hollowed look. Terminals are softly radiused, corners are smooth, and curves are built from consistent arcs, giving the alphabet a clean, engineered rhythm. Counters are generous and open, with simplified joins and minimal modulation; diagonals and rounds maintain even stroke behavior and spacing. The numerals and lowercase follow the same rounded, tubular logic, producing a cohesive, display-oriented texture.

Best suited to display settings where the inline outline can be appreciated: headlines, brand marks, posters, product packaging, and tech or entertainment graphics. It can also work for large-size UI labels, signage, or title cards where a clean geometric voice with extra visual character is desired.

The inline outline effect evokes illuminated tubing and technical labeling, lending the font a retro-futurist, arcade-like personality. Its soft geometry keeps the tone friendly and approachable while still feeling modern and synthetic. Overall it reads as upbeat, attention-grabbing, and design-forward rather than formal or editorial.

The design appears intended to combine a straightforward geometric sans skeleton with a decorative inline carve-out, adding dimensionality and a neon-sign feel without introducing contrast or calligraphic cues. The consistent rounding and monoline rhythm suggest a focus on friendly legibility while delivering a distinctive, graphic texture for branding and display typography.

The inner channel sits consistently within strokes, creating clear negative-space detail that becomes a key part of the letterforms. Because the design relies on internal counters and open apertures, it maintains clarity in short words and headlines, while the decorative inline detail can become visually busy at very small sizes or in dense paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸