Wacky Liri 2 is a very bold, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, game ui, packaging, industrial, sci‑fi, playful, rugged, arcade, high impact, distinctive texture, tech flavor, industrial feel, display voice, stencil-like, notched, squarish, blocky, angular.
A heavy, block-built display face with squarish bowls, broad rectangular counters, and consistently softened corners. Many strokes feature deliberate cut-ins and small horizontal notches that read like stencil breaks or machined chamfers, creating a segmented rhythm across the alphabet. The construction leans geometric and compact, with flat terminals, short crossbars, and simplified joins; diagonals (as in V, W, X, Y) are thick and assertive, keeping the silhouette chunky and stable. Numerals echo the same modular, cut-out logic for a cohesive, engineered look.
Best suited to short, high-impact settings such as posters, headlines, branding marks, packaging panels, and game or tech-themed UI moments where distinctive letterforms are an asset. It performs particularly well at medium-to-large sizes where the notch detailing and squared counters remain clear and intentional.
The repeated notches and blocky geometry give the font a fabricated, game-like energy—somewhere between retro arcade lettering and utilitarian industrial marking. Its quirky interruptions and squared forms add a mischievous, offbeat character that feels experimental rather than traditional.
The design appears intended to deliver maximum visual punch through a modular, machine-cut aesthetic, using consistent notches and segmented strokes to create a signature texture. Its simplified, blocky construction prioritizes recognizability and attitude over neutrality, aiming for a distinctive display voice with a playful, engineered edge.
In longer text the internal cut-ins become a defining texture, producing a strong horizontal cadence and a slightly “glitched” impression at larger sizes. Tight interiors and rectangular counters amplify the font’s graphic presence, while the stencil-like breaks help differentiate similar shapes (for example, in the I/J family and several rounded letters).