Sans Normal Pobon 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'MC Heton' by Maulana Creative and 'Santral' by Taner Ardali (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, playful, approachable, chunky, modern, soften tone, friendly display, high impact, modern branding, rounded, soft, geometric, compact, high-contrast counters.
A heavy, rounded sans with monoline strokes and generously softened corners throughout. Curves tend toward circular geometry, and terminals are consistently blunted, producing a smooth, cushiony silhouette. Apertures are relatively small and counters are rounded, giving letters a compact, dense color on the line. Uppercase forms read broad and steady, while lowercase shows single‑storey constructions (notably a and g) and a short-armed, rounded-shoulder rhythm that keeps textures even in continuous text. Numerals match the same soft geometry, with thick, closed forms that maintain strong presence at display sizes.
Best suited to headlines, short copy, and branding where a bold, friendly voice is needed. It works well for packaging, signage, and digital UI accents where rounded shapes help reduce harshness and improve approachability. For extended text, it will typically perform better with ample size and spacing due to its compact counters.
The overall tone is upbeat and approachable, with a toy-like softness that feels welcoming rather than technical. Its rounded massing suggests friendliness and informality, making it feel modern and accessible without becoming overly whimsical.
The letterforms appear designed to deliver maximum warmth and impact through rounded geometry and steady stroke weight. The intent seems focused on creating a modern, approachable display sans that remains highly legible while projecting a soft, playful personality.
The design emphasizes consistent curvature and corner rounding, which creates a uniform “pill” motif across stems, joins, and diagonals. Because the inner spaces are relatively tight, the font visually darkens quickly in longer passages, favoring short lines and larger sizes.