Sans Superellipse Pybiz 6 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Mercurial' by Grype, 'Azbuka' by Monotype, and 'Etelka' by Storm Type Foundry (names referenced only for comparison).
Keywords: ui labels, wayfinding, posters, headlines, packaging, modern, utilitarian, technical, clean, neutral, space efficiency, system design, geometric clarity, neutral voice, condensed, monoline, rounded corners, rectilinear, compact.
A condensed, monoline sans with a distinctly rectilinear construction softened by rounded corners. Curves tend to resolve into rounded-rectangle bowls and counters, giving letters like C, O, D, and G a superelliptical feel, while straight strokes stay crisp and even. Terminals are generally blunt and squared-off, with minimal modulation and tight apertures that create a compact, efficient rhythm. Numerals and lowercase share the same restrained geometry, maintaining consistent stroke weight and a steady, engineered texture in text.
Well-suited to interface labels, navigation, and information design where a compact footprint helps fit more content into limited space. It also performs convincingly in posters, branding lockups, and packaging systems that want a modern, technical flavor with softened geometry.
The overall tone is pragmatic and contemporary, with an engineered cleanliness that feels at home in systems-driven design. Its rounded-rectangle shapes add a subtle friendliness without becoming playful, keeping the voice mostly neutral and functional.
The design appears aimed at a space-efficient grotesque that replaces purely circular forms with rounded-rectangular geometry for a distinctive, system-friendly identity. The consistent stroke weight and clipped terminals suggest an intention to stay highly structured and reproducible across layouts.
The condensed proportions and tight counters can make the silhouette feel dense at smaller sizes, while the rounded corners prevent it from looking harsh in bold display settings. The overall spacing and proportions read as economical and signage-like, favoring compactness and clarity over calligraphic warmth.