Sans Superellipse Asdod 5 is a light, narrow, monoline, upright, normal x-height font.
Keywords: ui labels, wayfinding, headlines, posters, packaging, futuristic, tech, minimal, clinical, retro-modern, geometric identity, modern signaling, compact display, systematic consistency, rounded corners, squared curves, tall proportions, open counters, geometric.
This typeface uses a consistent single-stroke construction with rounded-rectangle curves and softened corners. Letterforms are tall and condensed, with generous interior space and mostly open apertures that keep shapes clear despite the narrow set width. Curves resolve into flattened terminals and squared-off bowls, creating a superelliptical rhythm across rounds like C, O, Q, and S. The lowercase keeps a simple, geometric build with clean joins and minimal modulation, while figures follow the same rounded-rect logic for a cohesive alphanumeric texture.
It works best for short to medium settings where its geometric personality can be a feature—interface labels, product marks, sci‑fi or tech-themed headlines, and poster typography. In branding and packaging, it can signal precision and modernity, especially when paired with clean layouts and ample spacing.
The overall tone feels futuristic and technical, with a clean, instrument-panel vibe that reads as contemporary yet slightly retro. Its rounded-square geometry gives it a controlled, engineered character rather than a friendly handwritten warmth.
The design appears intended to deliver a modern geometric sans with a distinctive rounded-rectangle skeleton, prioritizing consistency and a strong, recognizable silhouette. Its condensed build and open counters suggest an aim for compact, high-impact typography that stays orderly and legible in display contexts.
Distinctive details include the rounded-rect bowls and the consistently softened terminals, which create a uniform, grid-like cadence in text. The condensed proportions amplify verticality, making lines feel airy and structured at the same time.