Print Ufbef 12 is a light, normal width, high contrast, upright, normal x-height font.
Keywords: branding, packaging, posters, children’s, invitations, playful, whimsical, handmade, folksy, storybook, handmade feel, friendly tone, expressive text, casual voice, bouncy, rounded, textured, quirky, lively.
This font shows a hand-drawn, pen-like construction with noticeable stroke modulation: stems often thicken and taper, and curves swell unevenly as if made with a flexible nib or marker. Shapes are generally open and rounded, with soft terminals and occasional hook-like finishes, producing an organic rhythm rather than strict geometric consistency. Proportions vary from glyph to glyph; some letters are narrow and tall while others are broader, and bowls (like in O, o, p, b) feel slightly irregular and lively. Uppercase forms are simplified and cleanly readable, while lowercase letters introduce more personality through asymmetric joins and gently wobbly curves; numerals follow the same drawn, slightly uneven logic.
Best suited for display and short-to-medium passages where a handmade voice is desired, such as boutique branding, packaging, event materials, posters, and editorial pull quotes. It also fits children’s or storytelling-oriented designs, where a friendly, informal texture supports the message.
The overall tone is casual and friendly, with a whimsical, storybook feel that reads as human and approachable. Its irregularities and varied stroke energy suggest spontaneity and warmth rather than precision, giving text a conversational, handcrafted presence.
The design appears intended to mimic natural hand lettering with expressive stroke pressure and subtle inconsistencies, balancing readability with charm. It aims to deliver a personable, crafted look that feels informal and lively while remaining coherent across uppercase, lowercase, and numerals.
In running text, the font maintains clear word shapes while preserving a playful, uneven cadence. The mix of soft curves and occasional sharper angles (notably in diagonals like K, V, W, X) adds visual variety, and the high-contrast stroke behavior becomes more apparent at larger sizes where the thick–thin transitions and tapered terminals can be appreciated.