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Free for Commercial Use

Sans Superellipse Gelus 1 is a very bold, narrow, medium contrast, italic, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Acumin' by Adobe, 'Angela Love Sans' by Fargun Studio, 'Posterman' by Mans Greback, 'Hagia Pro' by Studio Fat Cat, and 'Chairdrobe' by XTOPH (names referenced only for comparison).

Keywords: posters, sports branding, headlines, packaging, promotional, athletic, urgent, punchy, industrial, headline, impact, speed, space saving, modernity, clarity, condensed, slanted, rounded corners, soft terminals, high impact.


Free for commercial use
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A compact, tightly set italic sans with heavy strokes and rounded-rectangle construction. Curves and counters lean toward superelliptical shapes, giving O/C/D and bowls a softly squared feel, while joins stay crisp and clean. The slant is strong and consistent, with broad, powerful verticals and slightly tapered diagonals that add motion without becoming calligraphic. Terminals are generally blunt with subtle rounding, and spacing is economical, producing a dense, high-impact texture in both caps and lowercase.

Best suited to display settings where speed and impact matter: sports and fitness identities, event posters, promotional headlines, and bold packaging callouts. It can also work for short UI labels or navigation elements when a compact, energetic emphasis is needed, but its density favors larger sizes over extended reading.

The overall tone is fast, forceful, and sporty, combining the urgency of a strong italic with the controlled polish of rounded geometry. It reads as modern and functional rather than expressive or decorative, projecting confidence and momentum.

The design appears intended to deliver maximum punch in minimal horizontal space, using rounded-rectangle forms to keep the weight feeling controlled and contemporary. Its strong slant and compact proportions prioritize motion and assertiveness while preserving a clean, utilitarian sans structure.

Uppercase forms are straightforward and blocky with minimal internal detailing, while the lowercase introduces a slightly more dynamic rhythm through angled stems and compact bowls. Numerals match the same dense, forward-leaning stance, maintaining strong silhouette clarity at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸