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Free for Commercial Use

Shadow Tijy 2 is a very light, normal width, medium contrast, upright, short x-height font.

Keywords: headlines, logos, posters, packaging, editorial, elegant, art deco, ethereal, fashionable, refined, decorative display, luxury branding, vintage modern, editorial flair, monoline, hairline, inline, delicate, geometric.


Free for commercial use
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A hairline, monoline display face built from open, partially outlined strokes that read as airy inlines rather than fully filled letters. The construction favors clean verticals and broad circular arcs, with frequent intentional breaks at joins and terminals that create a cut-out rhythm across the alphabet. Curves are smooth and geometric, while many ends taper to fine points or short spur-like hooks, producing a crisp, drawn-with-a-pen feel. Overall spacing is generous and the forms stay light on the page, with small details and gaps becoming key to recognition at larger sizes.

Best suited for display applications such as headlines, logotypes, fashion/editorial titling, boutique packaging, and poster work where the fine linework and cut-out details remain clear. It can work for short phrases or pull quotes, but the open joints and hairline strokes call for comfortable sizes rather than dense body copy.

The font projects a sophisticated, boutique mood with a faintly theatrical, vintage-modern flavor. Its lightness and open construction feel airy and upscale, suggesting editorial polish and a hint of Art Deco glamour rather than utilitarian neutrality.

The design appears intended to deliver a luxurious, ornamental alternative to a standard monoline sans/roman by using offset-like inner traces and deliberate gaps to suggest shadowed or hollowed structure without adding weight. The goal seems to be high-end display presence with a distinctive, stylized rhythm in both caps and lowercase.

In running text the broken strokes and slender lines create sparkle but also reduce solidity, so the design reads best when given room—larger sizes, ample tracking, and high contrast backgrounds. Numerals and capitals appear especially suited to decorative settings where the inline-like cutouts can be appreciated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸