Slab Square Toby 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Shemekia' by Areatype, 'Jornada Slab' and 'Prelo Slab Pro' by Monotype, and 'LFT Etica Sheriff' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, athletic, confident, vintage, assertive, editorial, impact, dynamism, heritage feel, display strength, brand voice, blocky, bracketed, compact, ink-trap-like, poster-ready.
A heavy, right-leaning slab serif with sturdy, rectangular serifs and broadly rounded inner curves. The strokes are thick and mostly even, with small notches and wedge-like joins that add a slightly carved, print-like texture at corners and intersections. Counters are compact but open enough to hold up at large sizes, and the overall construction feels solid and geometric, with softened curves balancing the squared terminals. Figures are robust and headline-oriented, matching the strong caps and weighty lowercase.
Best suited for headlines, posters, and display typography where a strong, slanted slab voice is needed. It can work well for sports or collegiate-style branding, bold editorial callouts, and packaging that benefits from a confident, high-impact presence. In longer passages it remains readable, but its weight and texture are most effective in short, prominent statements.
The font projects a bold, sporty authority with a touch of vintage print character. Its forward slant and thick slabs create a sense of motion and confidence, while the slightly rugged detailing keeps it from feeling sterile. Overall it reads as energetic, emphatic, and attention-seeking.
The design appears intended to deliver maximum impact with a classic slab-serif backbone, combining a forward-leaning stance and firm terminals for a dynamic, emphatic display tone. Subtle corner detailing and compact counters suggest a goal of maintaining clarity and character in dense, bold settings.
The italic angle is consistent across caps, lowercase, and numerals, helping long lines feel dynamic without losing stability. Rounded forms like C, G, O, and S stay smooth and full, while angular letters (K, V, W, X, Y, Z) emphasize sharp diagonals and tight joins, reinforcing a punchy rhythm.