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Typewriter Jile 5 is a bold, wide, low contrast, upright, normal x-height, monospaced font visually similar to 'Courier 10 Pitch' and 'Courier 10 Pitch WGL' by Bitstream, 'Courier EF' by Elsner+Flake, 'Courier LT round' by Linotype, and 'Courier New OS' and 'Courier PS' by Monotype (names referenced only for comparison).

Keywords: posters, packaging, book covers, editorial, labels, nostalgic, utilitarian, handmade, workshop, authenticity, legibility, retro feel, tactile print, slab serif, rounded corners, inked, worn edges, blunt terminals.


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The design presents sturdy slab-like terminals and rounded corners, with a deliberately irregular, ink-pressed texture that suggests mechanical impact and paper absorption. Counters are open and shapes are generously proportioned, creating a confident, readable rhythm even at smaller sizes. The overall silhouette is robust and compactly built, with small quirks and uneven edges that read as intentional wear rather than true distress.

It works well for projects that want an analog, typed aesthetic: posters, book covers, title treatments, packaging, and branding systems that lean vintage or craft-oriented. The sturdy forms make it suitable for captions, labels, and short-to-medium text where clarity is needed but a clean corporate tone would feel too sterile. It can also add period flavor to interface mockups, zines, and editorial layouts when paired with simpler supporting typography.

This face evokes the candid, matter-of-fact tone of typed notes, forms, and workshop labels, with a friendly roughness that feels human rather than pristine. Its slightly softened, inked-in impression adds a warm, nostalgic character suitable for storytelling, archival themes, and tactile brand voices.

The font appears designed to replicate the look of a well-used typing mechanism: solid letterforms, blunt slab terminals, and subtle irregularities that mimic ink spread and impact. Its consistent spacing and sturdy construction suggest an intention to stay highly legible while adding character through texture and softened details.

Numerals are round and weighty, matching the letterforms’ inked texture and giving data a strong visual presence. Uppercase and lowercase share the same sturdy, slab-ended voice, and the overall set maintains a consistent, deliberately imperfect print impression across glyphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸