Sans Faceted Etdo 9 is a bold, normal width, low contrast, italic, tall x-height font.
Keywords: headlines, posters, sports branding, esports, game ui, futuristic, aggressive, dynamic, technical, sporty, speed, impact, tech styling, display focus, branding, angular, faceted, oblique, geometric, extended terminals.
A sharply angled, faceted sans with an oblique stance and a distinctly planar construction in place of curves. Strokes are heavy and mostly uniform, with clipped corners and chamfered joins that create a crisp, mechanical rhythm. Counters are squarish and inset, giving letters like O/Q/0 a boxed, cut-out look, while horizontals often end in wedge-like terminals. The overall proportions read tall and compact, with a high x-height, short ascenders/descenders, and tight internal apertures that emphasize a dense, forward-leaning texture in text.
Best suited to display settings where its angular, forward-leaning forms can read as intentional design: headlines, event graphics, action/sports branding, gaming/esports identities, and tech product marketing. It can also work for short UI labels or interfaces that benefit from a hard-edged, futuristic tone, though dense paragraphs may feel visually intense due to the tight apertures and heavy stroke presence.
The letterforms project speed and precision, combining a sci‑fi/industrial edge with a sporty, performance-driven attitude. The consistent slant and sharp facets suggest motion and urgency, making the tone feel modern, assertive, and tech-oriented rather than friendly or traditional.
The design appears intended to translate a sense of speed and engineered sharpness into a sans-serif system, replacing curves with consistent facets to create a cohesive, high-impact look. Its tall lowercase and condensed internal space aim to keep text compact while maintaining a strong, stylized voice.
Diagonal cuts are used systematically across curves and joints, producing a cohesive “machined” silhouette across both caps and lowercase. Similar glyphs are deliberately differentiated through corner cuts and counter shapes (e.g., O/0, I/l/1), supporting a utilitarian, display-first aesthetic.