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Sans Superellipse Arnis 5 is a very light, very wide, low contrast, upright, tall x-height font.

Keywords: ui labels, headlines, posters, branding, wayfinding, futuristic, technical, minimal, clean, sleek, geometric system, sci-fi display, interface clarity, modern branding, monoline, rounded, geometric, superelliptical, open counters.


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A monoline sans built from rounded-rectangle and superellipse geometry, with softly squared bowls and corners and a consistent, hairline stroke. Curves resolve into straight segments with gentle radii, producing flat-topped arches and boxy rounds in letters like O, D, and U. Spacing is airy and the forms feel horizontally stretched, while terminals stay clean and unadorned. The lowercase is compact and highly legible at display sizes, with simplified joins and generous apertures; figures echo the same rounded-square construction for a cohesive alphanumeric rhythm.

Well suited to display typography where its superelliptical construction can read clearly: headlines, short editorial titles, tech branding, product marks, UI/UX labeling, and signage or wayfinding in clean environments. It also works for motion graphics and futuristic packaging where a sleek, engineered voice is desired.

The overall tone is futuristic and technical, with a calm, precise feel reminiscent of interface labeling, sci‑fi titling, and modern industrial graphics. Its light, spacious presence reads refined and modern rather than playful, emphasizing clarity and engineered geometry.

The design appears intended to translate rounded-rectangle industrial geometry into a readable sans, prioritizing consistent stroke, clean terminals, and a distinctive superellipse-based skeleton. It aims for a modern, system-like rhythm that feels precise and contemporary while maintaining smooth, approachable corners.

Round forms consistently avoid perfect circles in favor of squarer superellipses, which gives text a distinctive “soft-rectilinear” texture. Several glyphs use minimal crossbars and simplified structure (notably in E/F/T and some lowercase), reinforcing a streamlined, modular aesthetic. The thin stroke and open spacing suggest best performance in larger sizes or high-contrast settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸