Print Bedir 9 is a light, narrow, low contrast, upright, short x-height font.
Keywords: children’s books, packaging, greeting cards, posters, social graphics, friendly, casual, playful, whimsical, handmade, handmade feel, approachability, casual legibility, playful tone, monoline, rounded, bouncy, airy, uneven rhythm.
A monoline, hand-drawn print face with softly rounded terminals and a lightly uneven stroke rhythm that preserves a human, sketched feel. Letterforms are simplified and open, with generous counters and gently wobbly curves; verticals tend to be slightly irregular, and bowls are more oval than geometric. Uppercase shapes are tall and slender with modest crossbars (notably in E/F/T), while the lowercase keeps a compact body with long, relaxed extenders and a single-storey a and g. Numerals follow the same drawn logic, with straightforward, legible shapes and a lightly inconsistent baseline/spacing that reads as intentional rather than mechanical.
Well-suited to friendly display and short-to-medium text in contexts that benefit from a handmade, personable tone—such as children’s materials, invitations, greeting cards, casual branding, packaging callouts, and social or poster headlines. It can also work for captions or UI accents when a human touch is desired and ample size/spacing is available.
The tone is approachable and informal, suggesting quick marker notes or neat classroom handwriting. Its mild irregularities and rounded construction create a warm, personal voice that feels conversational and lightly playful without becoming chaotic.
The font appears designed to capture the look of tidy, hand-printed lettering—prioritizing warmth, approachability, and legibility over strict geometric consistency. Its restrained quirks and open forms suggest an intention to feel authentic and informal while remaining usable across a wide range of everyday messaging.
The design maintains consistent stroke weight across curves and joins, avoiding sharp modulation and relying instead on subtle wobble and soft corners for texture. Spacing varies slightly from glyph to glyph, adding a natural cadence in longer text, while overall forms remain clear enough for sentence-case reading.