Sans Normal Ohdiz 15 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Mustica Pro' by Alifinart Studio, 'Averta PE' by Intelligent Design, and 'Madani' and 'Madani Arabic' by NamelaType (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logos, friendly, confident, playful, modern, approachable, impact, approachability, clarity, modernity, brand voice, rounded, geometric, soft corners, high contrast (mass), tight apertures.
A heavy, rounded sans with geometric construction and smooth, continuous curves. Strokes are thick and even, with soft terminals and generously rounded bowls that create a dense, solid texture. Counters are relatively compact, and several letters show tight apertures, giving the face a sturdy, compact rhythm in text. Lowercase forms are simple and highly legible, with single-storey "a" and "g" and circular dots, while the numerals and capitals keep a consistent, built-from-shapes feel.
This font works best where strong impact and quick readability are needed, such as headlines, posters, brand wordmarks, packaging, and bold UI or signage moments. It can also set short blocks of copy effectively when a dense, friendly tone is desired, though the heavy color suggests avoiding very small sizes for extended reading.
The overall tone is upbeat and approachable, with a friendly softness that still reads bold and assertive. Its compact, rounded forms feel contemporary and slightly playful, making it well suited to attention-grabbing, positive messaging.
The design appears intended to deliver maximum presence with a warm, rounded voice—pairing geometric simplicity with softened edges for an accessible, contemporary look. It prioritizes bold clarity and a cohesive, shape-driven system across capitals, lowercase, and numerals.
The weight and rounded geometry create strong color on the page, especially in longer lines of text, where the compact counters and tight apertures increase perceived darkness. Diacritics and punctuation aren’t shown, but the base alphabet and figures present a consistent, cohesive drawing.