Sans Superellipse Ifmi 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Malva' by Harbor Type, 'Orgon Plan' by Hoftype, 'Famiar' by Mans Greback, 'Modet' by Plau, 'Akwe Pro' by ROHH, and 'Elioth' by Soerat Company (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, logotypes, playful, brawny, friendly, retro, cartoonish, impact, approachability, display focus, retro charm, simplicity, chunky, rounded, soft corners, bulbous, compact counters.
A heavy, blocky sans with rounded-rectangle construction and softened corners throughout. Letterforms are broad and squat with large, flat terminals, minimal stroke modulation, and a distinctly geometric rhythm that favors superelliptical bowls over true circles. Counters tend to be compact, and joins are blunt, giving the shapes a dense, punchy silhouette. The lowercase shows sturdy, simplified structures (single-storey a and g) and the numerals match the same wide, cushiony geometry.
This font is well suited to display roles such as headlines, posters, packaging, and bold brand statements where a friendly, high-impact presence is needed. It can also work for short UI labels or signage when set with ample spacing to preserve clarity.
The overall tone is bold and approachable, with a lively, slightly retro feel. Its inflated, rounded shapes read as fun and informal rather than technical, lending a friendly, cartoon-leaning voice that still feels solid and confident.
The design appears intended to deliver maximum visual impact with a soft, approachable geometry—combining thick, simplified forms and rounded-rectangle curves to create a confident display sans that feels fun and contemporary with a hint of retro charm.
Because of the dense interiors and broad proportions, the design reads best with generous tracking and line spacing, especially in longer text. It excels when used large, where the rounded geometry and strong silhouettes can be appreciated without the counters closing in.