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Free for Commercial Use

Sans Normal Ohmik 14 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Neptune' by Indian Type Foundry; 'Lemon Milk Pro' by Marsnev; '-OC Format Collage', '-OC Format Sans', and '-OC Pajaro' by OtherwhereCollective; and 'Geograph' by Sarah Khan (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, friendly, playful, modern, approachable, lively, impact, clarity, brandable, contemporary, rounded, geometric, soft, chunky, high-contrast cuts.


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A heavy, rounded geometric sans with smooth, circular bowls and broad, even strokes. Corners are softened overall, but many joins and terminals introduce crisp diagonal or wedge-like cuts that add a slightly faceted, constructed feel. Proportions are compact and sturdy, with generous curves in letters like C, O, and S, and simplified, blocky structures in E, F, and T. Lowercase forms are clean and contemporary; the single-storey a and g, a tight-shouldered n/m, and a short, stout t reinforce a straightforward, geometric rhythm. Numerals are bold and legible, with rounded counters and angled cuts that match the letterforms.

This font performs best in display-oriented settings such as headlines, posters, brand wordmarks, packaging, and short UI or social graphics where its rounded mass and sharp cuts can read clearly. It is especially effective when used large, where the geometric curves and angled terminals become a recognizable style element.

The combination of rounded geometry and sharp, angled detailing gives a friendly but energetic tone. It feels contemporary and playful without becoming informal or handwritten, making it well-suited to upbeat branding and attention-grabbing headings.

The design appears intended to deliver a modern, geometric sans voice that feels approachable and bold, while adding identity through consistent angular “cut” terminals. It aims for strong impact and easy recognition in branding and titling contexts.

Several glyphs show distinctive diagonal carving at terminals and joins (notably in K, k, x, and y), creating a consistent “cut” motif across the design. Counters tend toward near-circular shapes, helping maintain clarity at display sizes, while the overall texture stays dense and punchy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸