Bubble Ilgu 6 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Amostra' by Latinotype, 'Clearface Gothic' by Linotype, 'Diaria Sans Pro' by Mint Type, 'Tinta' and 'Tinta Arabic' by NamelaType, 'Clearface Gothic SB' and 'Clearface Gothic SH' by Scangraphic Digital Type Collection, 'Cleargothic Pro' by SoftMaker, and 'Clearface Gothic' by URW Type Foundry (names referenced only for comparison).
Keywords: kids branding, packaging, posters, headlines, stickers, playful, friendly, cartoon, chunky, bouncy, attention grabbing, friendly tone, handmade feel, comic display, rounded, soft terminals, puffy, bulbous, informal.
A heavy, rounded display face with inflated-looking strokes and softly pinched joints that give the letters a hand-shaped, rubbery feel. Curves dominate throughout, corners are broadly filleted, and terminals often swell slightly before tapering, creating a lively, uneven rhythm. Counters are compact and often irregularly shaped, while bowls and arches lean toward teardrop and blob-like geometry rather than strict circles. The lowercase shows single-story forms and a prominent, rounded dot on i/j; figures are equally chunky with simplified interiors for strong silhouette clarity.
Well-suited to kid-focused design, playful branding, snack/candy packaging, toy or game titles, and bold poster headlines. It also works for social graphics, stickers, and short UI labels where a friendly, cartoon voice is desired.
The font conveys a warm, comedic tone—more like cutout letters or cartoon signage than formal typography. Its puffed shapes and wobbly consistency feel approachable and mischievous, emphasizing personality over precision.
The design appears intended to deliver an immediately recognizable, bubbly display voice with a hand-formed charm. By prioritizing rounded volume, thick joins, and irregular counters, it aims to feel fun and tactile, making text look like inflated cut-paper or soft rubber shapes.
Because the interiors are small and the joins are thick, the face reads best when given generous size and spacing. The irregular swelling in strokes creates a lively texture in paragraphs, while the strong silhouettes keep single words and short phrases highly attention-grabbing.