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Free for Commercial Use

Groovy Ahra 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Puddy Gum' by Agny Hasya Studio, 'Groovy Teacher' by Brown Cupple Typeface, and 'Milkyway' by RagamKata (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, album covers, playful, groovy, retro, whimsical, friendly, retro charm, bold impact, quirky display, friendly branding, blobby, rounded, soft, puffy, bouncy.


Free for commercial use
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A very heavy, rounded display face built from blobby, inflated strokes and soft terminals. Shapes are highly organic, with gently wavering contours and asymmetrical details that create a lively, hand-formed rhythm. Counters are small and irregularly shaped, and joins often bulge slightly, giving letters a puffy silhouette. The overall construction favors compact, chunky forms with smooth curves and minimal sharp corners, producing an intentionally uneven, animated texture in text.

Best suited for short, bold statements such as posters, event headlines, album art, playful branding, and packaging where a strong, friendly presence is needed. It can also work for retro-themed editorial headers or storefront/signage-style applications, but is less appropriate for long text due to its dense weight and idiosyncratic shapes.

The tone is upbeat and lighthearted, with a distinctly nostalgic, fun-house energy. Its squishy forms and wobbly rhythm evoke playful 60s–70s-inspired graphics, candy-like signage, and cartoon title lettering rather than formal typography.

This design appears intended to deliver maximum personality through exaggerated weight, rounded geometry, and deliberately irregular outlines. The goal is a bold, approachable display voice with a retro, psychedelic flavor and a bouncy, cartoon-like rhythm that stands out instantly in titles.

The font’s heavy mass and tight internal spaces make it most effective at larger sizes where the quirky contours and irregular counters can be clearly seen. Curved letters (like C, S, and O) emphasize the font’s flowing, liquid-like modulation, while straight-sided forms still retain rounded, swelling edges that keep the texture consistently soft.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸