Print Itbap 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Artegra Soft' by Artegra, 'Otter' by Hemphill Type, 'Kurri Island' by Mans Greback, 'DINosaur' by Type-Ø-Tones, 'Quan Pro' by Typesketchbook, and 'Banana Bread Font' by TypoGraphicDesign (names referenced only for comparison).
Keywords: kids branding, posters, packaging, headlines, stickers, playful, friendly, bouncy, cheerful, childlike, fun display, hand-drawn feel, soft impact, casual charm, rounded, soft, blobby, chubby, casual.
A chunky, rounded display face with soft, blobby terminals and heavy, even strokes. Counters are compact and often teardrop-like, with gently irregular curves that mimic marker or paint-pen lettering rather than strict geometric construction. The overall rhythm is lively: letters vary subtly in width and internal space, with simplified forms (single-storey a and g) and a compact, upright stance. Numerals are similarly bulbous and highly simplified, emphasizing weight and silhouette over fine detail.
Best suited to short, bold copy where personality matters: kids’ products, playful brand identities, snack or candy packaging, stickers, posters, and social graphics. It also works well for headlines and callouts in friendly editorial layouts, especially when set large enough to preserve the small counters.
The font reads as upbeat and approachable, with a playful, kid-friendly energy and a handcrafted warmth. Its puffy shapes and slightly wobbly curves create a relaxed, humorous tone that feels informal and welcoming rather than serious or technical.
The design appears intended to deliver maximum friendliness and impact through thick, rounded strokes and simplified letterforms, capturing the feel of quick hand-drawn print while staying consistent enough for multi-line setting. Its emphasis on soft shapes and strong silhouettes suggests a focus on fun display typography over precision text readability.
Spacing appears generous and the dense stroke weight reduces interior clarity at smaller sizes, making the design most effective when it can rely on bold silhouettes. Dots and punctuation adopt the same rounded, soft-edged language, helping text blocks feel cohesive and cartoon-like.