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Free for Commercial Use

Inline Jeze 7 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Mayberry' by Ascender, 'Faculty' by Device, 'JAF Bernini Sans' by Just Another Foundry, 'Frutiger Next Paneuropean' by Linotype, 'Core Sans N' and 'Core Sans NR' by S-Core, 'Quebec Serial' by SoftMaker, and 'Adora Compact PRO' by preussTYPE (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, event promos, retro, circus, sporty, loud, playful, attention grabbing, retro display, decorative inline, branding, slab-like, blocky, stencil-like, striped, compact.


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A heavy, blocky display sans with broad strokes, softened corners, and generally geometric construction. An inline cut runs through most letters as a narrow, contrasting stripe that follows the main stroke direction, sometimes appearing as paired vertical slits in straight stems and a flowing inner track in bowls. Counters are compact and the overall rhythm is dense, with sturdy terminals and a slightly slab-like feel in places (notably on curves and wider joins). Numerals and lowercase follow the same chunky proportions, keeping the inline detailing consistent for a cohesive, poster-oriented texture.

Best suited to headlines, posters, and branding where the inline carving can be appreciated. It works well for logos, packaging, and event promotions that want a bold retro statement, and it can add character to short labels or signage where size is generous.

The carved inline striping gives a show-card, marquee-like energy that feels retro and extroverted. Its bold presence reads as playful and attention-seeking, with a sporty/carnival flair that emphasizes impact over subtlety.

The design appears intended to deliver maximum visual impact through an oversized silhouette paired with decorative inline carving, evoking classic show typography while remaining clean and upright for modern display composition.

The inline detail creates a strong shimmer at larger sizes and introduces a stencil-like texture when letters are set tightly. At smaller sizes, the thin internal cut may visually fill in, so the design is best treated as a headline face rather than a text workhorse.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸