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Free for Commercial Use

Sans Other Tisa 2 is a regular weight, narrow, monoline, upright, tall x-height font.

Keywords: ui labels, headlines, posters, game titles, branding, tech, futuristic, arcade, industrial, schematic, digital aesthetic, systematic geometry, retro futurism, display clarity, rectilinear, angular, square, geometric, modular.


Free for commercial use
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A rectilinear, geometric sans built from uniform monoline strokes and sharp corners, with a squared, modular construction throughout. Curves are largely avoided in favor of straight segments and occasional clipped diagonals, giving many bowls and counters a boxy, technical feel. Proportions are compact and vertical, with a tall lowercase presence and simplified joins that keep the rhythm crisp and mechanical. Numerals and letters share consistent stroke logic, with open apertures and squared terminals supporting clean, high-contrast shapes on screen and in print.

Best suited for short, high-impact settings such as UI labeling, dashboards, game titles, and tech-themed branding where a digital/industrial flavor is desired. It can also work for display lines on posters or packaging, especially when you want a crisp, modular texture rather than a neutral everyday sans.

The overall tone feels digital and engineered—evoking control panels, arcade interfaces, and retro-futurist graphics. Its strict geometry reads deliberate and technical rather than friendly, suggesting precision, systems, and machine-made order.

The font appears designed to translate a grid-based, pixel-adjacent logic into clean vector outlines—prioritizing uniform stroke behavior, squared forms, and a controlled, technical rhythm. The goal seems to be a distinctive techno voice while remaining legible through consistent structure and open interior spaces.

The design’s squared counters and reduced curvature create a distinctive texture in paragraphs, where repeated right angles form a patterned, gridlike cadence. Diagonal elements appear sparingly as functional cuts (notably in glyphs like K, R, and 7), reinforcing a constructed, schematic aesthetic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸