Print Waror 1 is a regular weight, very narrow, low contrast, upright, normal x-height font.
Keywords: posters, packaging, book covers, children's, branding, whimsical, storybook, playful, folksy, vintage, hand-lettered charm, decorative readability, quirky display, friendly tone, curly terminals, tall ascenders, looped details, bouncy baseline, ink-like.
A tall, slim, hand-drawn print with simple monoline strokes and gently rounded corners. Many letters finish with small curls or looped terminals, creating decorative hooks at stems and bowls without becoming fully script-like. Proportions are compact and vertical, with narrow counters and occasional oversized swashes on select capitals and figures. Spacing and widths vary slightly from glyph to glyph, giving an organic rhythm and a lightly irregular, drawn-in-ink texture while keeping legibility intact in running text.
Works best for short to medium-length text where personality matters: posters, titles, book covers, craft or boutique packaging, and cheerful branding. It can also serve as an accent face for pull quotes, menus, invitations, or labels, especially when paired with a quieter sans or serif for body copy.
The overall tone feels lighthearted and quirky, with a storybook charm and a touch of vintage novelty. The curled endings and buoyant rhythm make it feel friendly and informal, suggesting hand-lettered titles, labels, and whimsical signage rather than formal editorial typography.
The design appears intended to mimic neat hand printing with added curly terminal flair—balancing readability with decorative charm. Its narrow, vertical proportions and consistent stroke weight suggest it was drawn to deliver a distinctive, whimsical voice in display settings while still functioning in phrases and sentences.
Capitals tend to be more decorative than lowercase, with occasional interior spirals and pronounced curls that become focal points in words. Numerals include distinctive looped forms (notably 2, 3, 5, 8, 9), which reinforces the playful display character. The font keeps an upright posture and steady stroke weight, so the ornamentation reads as intentional detailing rather than calligraphic contrast.