Sans Superellipse Lave 2 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: logos, headlines, ui labels, posters, tech branding, futuristic, techy, streamlined, sporty, clean, tech styling, distinct branding, modern display, ui-forward, rounded, geometric, modular, soft-cornered, high-contrast-free.
A rounded, geometric sans built from superellipse-like bowls and long, horizontal strokes, with consistently softened corners and largely monoline construction. Counters are wide and rectangular in feel, and many glyphs use open apertures and stencil-like breaks (notably in E, F, S and several numerals) that create a segmented, engineered rhythm. Terminals are blunt and rounded rather than tapered, and diagonals (V, W, X, Y) are simplified and smooth, keeping the overall texture uniform and low-friction. The figures echo the same language, with boxy curves and occasional interior cut lines that reinforce the modular look.
Best suited for display use where its wide, rounded geometry and segmented details can be appreciated—such as logos, tech and gaming branding, product names, posters, packaging, and large UI labels. It can also work for short blocks of copy in interfaces or promotional materials when a futuristic, engineered voice is desired.
The font reads as contemporary and technology-forward, with a sleek, interface-oriented tone and a hint of sci‑fi styling. Its rounded-rectangle geometry feels friendly and controlled, while the segmented details add a purposeful, engineered character reminiscent of product branding and digital instrumentation.
The design appears intended to merge friendly rounded forms with a modern, tech-industrial attitude, using superellipse geometry and strategic stroke breaks to create a distinctive, modular identity. It prioritizes a smooth, contemporary silhouette and a branded, display-forward presence over plain text neutrality.
The wide bowls and horizontal emphasis produce an expansive, airy silhouette, while the deliberate breaks inside strokes add distinctiveness without introducing sharp contrast. In longer text, the repeated rounded corners and cut lines create a consistent, patterned cadence that feels designed rather than neutral.