Sans Superellipse Bodah 6 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: ui labels, brand systems, editorial display, packaging, wayfinding, minimalist, clean, futuristic, clinical, airy, modernization, system design, neutrality, tech tone, clarity, geometric, rounded, monoline, linear, superelliptic.
A monoline geometric sans built from rounded-rectangle and superellipse-like curves, with consistently softened corners and open counters. Strokes stay even and thin throughout, with a calm, regular rhythm and generous internal space that keeps forms legible despite the light build. Uppercase letters lean toward simple, engineered constructions (notably the straight-sided curves in C/G/O and the rounded-rect bowls in B/D/P/R), while lowercase follows with similarly clean, minimal structures and short, tidy terminals. Numerals mirror the same squared-round logic, giving the set a cohesive, system-like texture.
This font suits interface labels, dashboards, and product UIs where a crisp, modern voice is desired, especially at medium-to-large sizes where the thin strokes remain clear. It also works well for contemporary branding, packaging, and editorial headings that benefit from a controlled geometric look and a distinctive superelliptic roundness.
The overall tone is cool, modern, and restrained—more technical than friendly. The rounded geometry adds approachability, but the thin strokes and precise constructions keep it feeling refined and contemporary, with a subtle sci‑fi/UX sensibility.
The design appears intended to blend a geometric, modular construction with softened corners to achieve a modern, tech-forward sans that stays calm and readable. Its consistent stroke weight and rounded-rectangle curves suggest a focus on visual coherence across letters and numerals for system-driven design work.
Round forms are notably squarish rather than purely circular, creating a distinctive “softened rectangle” silhouette across O/Q/0 and the bowls of B/D/P. Diacritics and punctuation aren’t shown beyond basic marks in the sample, but the spacing and line texture suggest a design optimized for clean, uncluttered layouts.