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Free for Commercial Use

Sans Normal Munij 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Prenton RP' by BluHead Studio, 'Squad' by Fontfabric, 'Avenir Next Paneuropean' by Linotype, 'Akwe Pro' by ROHH, 'Mister London' by Sarid Ezra, and 'Greek Font Set #2' by The Fontry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, playful, punchy, friendly, retro, quirky, impact, approachability, retro flavor, attention grabbing, display texture, soft corners, bulky, bouncy, compact, high impact.


Free for commercial use
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A heavy, compact sans with rounded outer curves and subtly flattened joins that give the letterforms a chunky, sculpted feel. Counters are generally small and tightly held, creating strong black shapes and high visual density, while terminals often end in slightly angled or wedge-like cuts rather than perfectly square stops. Curves are broad and smooth, with simplified geometry and a lively, uneven rhythm from letter to letter that keeps the texture animated in text. Numerals follow the same stout, rounded construction, reading clearly with a bold, poster-oriented presence.

Best suited for headlines, posters, labels, and branding where bold shapes and personality are the goal. It can work for short bursts of copy such as callouts, menus, or social graphics, especially at larger sizes where its internal shapes and lively terminals stay clear.

The overall tone is upbeat and approachable, leaning toward a retro display attitude rather than a neutral workhorse. Its chunky silhouettes and softened geometry feel cheerful and a bit mischievous, making the voice energetic and attention-seeking without becoming sharp or aggressive.

This font appears designed to deliver maximum impact with friendly, rounded forms and a deliberately chunky silhouette, trading typographic neutrality for character. The emphasis is on strong word-shapes and an expressive, retro-leaning texture that stands out quickly in display settings.

In longer lines the tight counters and heavy strokes create a dark typographic color, so spacing and size choice will strongly influence readability. The design’s slightly irregular, hand-cut flavor shows most in diagonals and terminals, which adds character and a distinctive headline texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸