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Free for Commercial Use

Slab Square Toli 1 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Boton' by Berthold, 'Dean Slab' by Blaze Type, 'Ciutadella Slab' by Emtype Foundry, 'Siseriff' by Linotype, 'DilleniaUPC' by Microsoft Corporation, 'DIN Next Slab' by Monotype, and 'Palo Slab' by TypeUnion (names referenced only for comparison).

Keywords: sports branding, posters, headlines, packaging, signage, athletic, headline, retro, assertive, industrial, impact, motion, ruggedness, display clarity, branding, blocky, bracketless, slanted, compact, sturdy.


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A heavy, right-slanted slab serif with broad, flat terminals and a compact, punchy silhouette. Strokes are thick and largely uniform, with squared-off finishing that gives the letters a cut-from-solid feel. Counters are relatively tight and apertures are more closed than open, reinforcing a dense color on the line. The lowercase shows a tall presence with simplified, sturdy forms, while capitals read as wide-shouldered and stable; figures are similarly weighty with strong, block-like construction.

Best suited to display settings where strong emphasis is needed—sports identities, event posters, bold editorial headlines, packaging callouts, and storefront or wayfinding signage. It can work for short subheads or pull quotes, but its dense weight and tight counters make it less ideal for extended body text.

The overall tone is bold and purposeful, leaning toward sporty and workmanlike messaging. Its slanted stance adds momentum and urgency, while the square-ended slabs keep the voice grounded and tough rather than delicate. The result feels familiar in a vintage, poster-and-signage way, with a confident, no-nonsense energy.

This design appears intended to deliver maximum impact with a sturdy, industrial slab structure and a dynamic slant. The emphasis is on bold presence, fast readability, and a rugged, familiar display character that holds up well in branding and promotional typography.

Spacing and fit appear designed for impact: large black shapes, minimal internal detailing, and consistent stroke density produce strong legibility at display sizes. The italic angle is pronounced enough to suggest motion without turning into a script-like gesture, and the squared terminals help preserve crisp edges in large-scale reproduction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸