Sans Superellipse Sigaw 2 is a regular weight, narrow, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, signage, brand marks, packaging, retro, industrial, editorial, architectural, playful, compact display, geometric clarity, signage voice, distinctive texture, squared-round, condensed, high-waisted, bracketed curves, tall capitals.
A condensed display sans with squared-round construction and softly bracketed curves. Strokes are mostly monolinear with subtle contrast, and corners alternate between crisp terminals and rounded joins, giving the outlines a carved, modular feel. Capitals are tall and narrow with generous vertical presence, while bowls and counters tend toward rounded-rectangle geometry. Lowercase forms keep a straightforward, readable skeleton, punctuated by occasional curled hooks (notably in letters like j, r, s, and y) that add rhythm and personality. Figures are compact and upright, with clear, open apertures and sturdy verticals that maintain even texture in lines of text.
Best suited for display settings where its condensed proportions and distinctive squared-round shapes can work as a visual anchor—headlines, posters, signage, packaging, and bold editorial callouts. It can also function in short text blocks or captions when set with comfortable tracking and line spacing, but its strongest impact is in larger sizes where the hooked terminals and modular curves remain clear.
The overall tone mixes early-modernist display energy with a slightly whimsical, poster-like charm. Its condensed stance and squared curves suggest signage and industrial lettering, while the small hooked details keep it from feeling purely utilitarian. The result reads as confident and graphic, with a hint of vintage flair rather than contemporary neutrality.
The design appears intended to deliver a compact, space-efficient display voice built from rounded-rectangular forms, pairing modern geometric discipline with a few expressive terminal quirks to keep the texture lively in words and numerals.
Word shapes are strong and columnar, producing a tight, efficient line length that stays legible at larger sizes. Curved letters lean toward superelliptical bowls, and several glyphs introduce distinctive inward curls at terminals, creating recognizable silhouettes without becoming ornate.