Sans Other Favy 1 is a bold, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, game ui, signage, industrial, techno, retro, stern, authoritative, display impact, mechanical feel, retro tech, signage voice, angular, square, modular, stencil-like, condensed caps.
A compact, angular display face built from straight strokes and squared counters, with a distinctly modular, engineered construction. Uppercase forms feel narrow and vertical, with flat terminals and frequent right-angled cut-ins that create a pseudo-stencil effect in bowls and joins (notably in characters like B, O, P, R). Lowercase follows the same squared logic, mixing blocky, almost unicase proportions with occasional sharp diagonals; punctuation and numerals are similarly rectilinear and tightly drawn. Spacing reads dense and rhythmic, emphasizing vertical stems and crisp interior voids for a hard-edged texture in words.
Best suited for headlines, posters, title treatments, and logo/wordmark work where its angular construction can be read clearly. It also fits game UI, tech-themed graphics, and signage-style applications, especially when set at larger sizes with generous line spacing to prevent the dense forms from crowding.
The overall tone is rigid and mechanical, evoking industrial signage and early-digital display aesthetics. Its sharp geometry and compressed presence give it a commanding, no-nonsense voice that can feel technical, dystopian, or arcade-retro depending on context.
The font appears designed to deliver a stylized, machine-made sans voice using modular, squared shapes and deliberate cut-ins that recall stencil or segmented lettering. Its emphasis on narrow, vertical capitals and consistent rectilinear forms suggests an intent to create a strong display texture rather than a neutral text face.
The design relies on intentional internal notches and cutouts to separate strokes, producing distinctive silhouettes at large sizes but a busy texture in smaller settings. Diagonals are used sparingly and feel secondary to the dominant squared architecture, which keeps lines of text visually uniform and strongly patterned.