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Free for Commercial Use

Wacky Esfe 7 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Neumatic Compressed' by Arkitype, 'Tungsten' by Hoefler & Co., 'Mahoowa' by Your type, and 'Supertall' by wearecolt (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, event flyers, playful, offbeat, retro, cartoonish, punchy, attention grab, space saving, character display, retro flavor, condensed, rounded, soft corners, ink-trap like, cut-in joints.


Free for commercial use
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A tightly condensed, heavy display face with rounded terminals and a mostly monoline construction. The forms are built from tall vertical stems with softened corners, while many joins and counters show distinctive scooped cut-ins that create a lively, uneven rhythm. Curves are compact and squared-off rather than fully circular, and the overall silhouette stays blocky and compact with minimal interior space. Numerals and capitals maintain the same narrow, poster-like proportions, giving the set a consistent, emphatic texture in lines of text.

Best suited for bold headlines, poster titling, packaging callouts, and logo/wordmark-style applications where a quirky condensed voice is desirable. It can also work for short promotional lines or playful editorial openers, especially when set large with comfortable spacing.

The font reads as humorous and quirky, with a slightly mischievous, throwback tone reminiscent of vintage signage and cartoon titling. Its exaggerated verticality and chunky presence make it feel loud, informal, and intentionally odd in a way that’s attention-grabbing rather than refined.

Likely designed to deliver maximum impact in a narrow footprint while projecting a playful, unconventional personality. The softened corners and deliberate irregular cut-ins appear intended to keep the heavy forms from feeling purely industrial, adding a distinctive, memorable stamp for display use.

In longer samples the dense, dark color and compressed spacing create a strong wall-of-type effect, so it performs best when given generous tracking or larger sizes. The idiosyncratic cut-ins and narrow counters become a key identifying detail, adding character but reducing clarity at small sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸