Font Hero

Free for Commercial Use

Sans Normal Abdev 16 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Neue Haas Unica' and 'Neue Haas Unica Paneuropean' by Linotype (names referenced only for comparison).

Keywords: ui text, branding, headlines, data display, captions, clean, modern, technical, efficient, neutral, forward emphasis, system clarity, modern utility, neutral tone, oblique, monoline, open apertures, high legibility, wide spacing.


Free for commercial use
Customize the font name

This is an oblique sans with a monoline construction and smoothly rounded curves. Letterforms lean consistently to the right with crisp, straight terminals and minimal modulation, giving the shapes a clean, engineered look. Counters are open and generous, and the spacing feels airy, which helps maintain clarity in both uppercase and lowercase. Numerals follow the same rational geometry, with simple, readable forms and consistent stroke endings.

It performs well in interface typography and product systems where an oblique voice is needed for emphasis without sacrificing legibility. The clean construction also suits concise branding, headlines, and subheads, while the straightforward numerals make it appropriate for tables, dashboards, and compact data readouts. In editorial settings it can work for short passages, pull quotes, and captions where a modern, slanted sans is desired.

The overall tone is modern and matter-of-fact, with a streamlined rhythm that reads as practical rather than expressive. Its steady slant adds a sense of forward motion and contemporary polish without becoming decorative. The result feels professional, efficient, and suited to information-first typography.

The design appears intended to provide a neutral, contemporary sans with an always-oblique posture for emphasis and pace. By keeping strokes even and shapes broadly geometric, it aims for dependable readability and a tidy typographic texture across letters and numbers.

Curves are drawn with smooth, even radii, and junctions stay restrained, avoiding calligraphic swelling. The italic angle is uniform across letters and figures, supporting cohesive texture in running text. Uppercase forms are straightforward and geometric, while lowercase maintains approachable roundness and clear differentiation between similar shapes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸