Sans Normal Andir 6 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Riveruta' by Andfonts, 'Brahma' by Tall Chai, 'Causten' and 'Causten Round' by Trustha, and 'Segment' by Typekiln (names referenced only for comparison).
Keywords: ui text, editorial, signage, presentations, branding, clean, neutral, modern, friendly, functional, clarity, neutrality, versatility, modernity, legibility, geometric, rounded, open, crisp, balanced.
This sans-serif shows a geometric construction with near-circular bowls and smooth, even curves paired with straight, clean strokes. Terminals are predominantly flat and squared-off, giving the outlines a crisp, contemporary finish. Proportions feel balanced and legible, with open apertures and generous interior counters that keep dense text from clogging. The lowercase is straightforward and unadorned, with a single-storey “a” and “g” and compact, tidy punctuation-like dots on “i/j,” reinforcing a simple, system-ready rhythm.
This font suits interface labels, dashboards, and general product typography where clarity at a range of sizes matters. It also works well for editorial subheads, informational layouts, and signage that benefits from clean geometry and open counters. For branding, it fits modern, minimal identities that want a friendly-but-neutral voice without decorative cues.
The overall tone is calm and matter-of-fact, projecting clarity and approachability rather than personality-driven flair. Its geometric roundness adds a mild friendliness, while the sharp joins and flat terminals keep it feeling modern and utilitarian. The result reads as dependable and unobtrusive—designed to support content more than to call attention to itself.
The design appears intended as a versatile, general-purpose geometric sans with strong legibility and a restrained, contemporary character. Its consistent forms and uncomplicated lowercase suggest a focus on readability, efficient layout, and broad applicability across digital and print contexts.
Numerals follow the same geometric logic, with rounded forms on 0/8/9 and clean diagonals on 4/7 that match the uppercase’s straightforward structure. The uppercase set feels stable and signage-like, with consistent stroke behavior and clear differentiation between similar shapes, helping readability in quick scans.