Sans Faceted Abbik 11 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'AF Carplates' by ACME Collection, 'Charles Wright' by K-Type, 'Evanston Tavern' by Kimmy Design, 'B52' by Komet & Flicker, and 'Reload' by Reserves (names referenced only for comparison).
Keywords: headlines, posters, sports branding, team uniforms, wayfinding, industrial, athletic, utilitarian, tactical, retro tech, impact, ruggedness, clarity, systematic geometry, octagonal, chamfered, angular, blocky, stencil-like.
A heavy, angular sans with curves replaced by chamfered corners and faceted, near-octagonal bowls. Strokes stay largely uniform, producing a sturdy, block-built texture with squarish counters and crisp terminals. Uppercase forms are compact and geometric, while the lowercase shares the same hard-edged construction with simplified joins and short apertures; the overall rhythm is dense and highly regular. Numerals follow the same cut-corner logic, with 0 and 8 built from faceted loops and sharp internal counters.
Works best for headlines, logos, and short statements where the angular silhouettes can read clearly and carry personality. It’s well suited to sports branding, apparel marks, game/UI titling, packaging callouts, and industrial or wayfinding-style signage where a rugged, technical feel is desired.
The faceted geometry and cut corners give the font a tough, engineered tone that reads as functional and assertive. It evokes sports numerals, industrial labeling, and arcade-era tech aesthetics, projecting impact and clarity over softness or elegance.
The font appears designed to translate a straightforward sans skeleton into a faceted, chamfered system that feels both modern and rugged. Its consistent angles and blocky counters suggest an emphasis on strong silhouettes, easy reproduction, and a distinctive industrial/sport visual identity.
The design relies on repeated chamfer angles for consistency, which creates strong silhouettes at display sizes. Tight apertures and squared counters can make long passages feel dense, but they reinforce the mechanical, signage-like character.