Sans Superellipse Feres 8 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Adversary BB' by Blambot, 'Newhouse DT' by DTP Types, 'Fester' by Fontfabric, 'Anantason Reno' by Jipatype, 'Brainy Variable Sans' by Maculinc, 'Hype vol 3' by Positype, 'Nulato' by Stefan Stoychev, and 'Quarca' by insigne (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app ui, sporty, urgent, industrial, energetic, tactical, impact, motion, space saving, modernity, branding, oblique, condensed, blocky, rounded corners, square-oval.
A heavy, oblique sans with compact proportions and a squared-off, superelliptical skeleton. Curves resolve into rounded-rectangle bowls and counters, while terminals are clean and blunt with softly radiused corners. The stroke is largely uniform, producing a solid, poster-weight color, and the narrow set width creates a tight rhythm across words. Numerals and capitals share the same blocky geometry, with slightly squared curves and consistent corner rounding that keeps the forms cohesive at display sizes.
Best suited for headlines, short subheads, and bold callouts where a compact, high-impact voice is needed. It fits sports branding, activewear or tech packaging, event graphics, and interface elements that benefit from strong emphasis in limited horizontal space. For longer text, it will work most comfortably at larger sizes where the dense weight and tight rhythm can breathe.
The face reads assertive and fast, with a forward-leaning stance that suggests motion and urgency. Its compact, muscular shapes evoke athletic, tactical, and industrial contexts rather than delicate or literary ones. The rounded corners soften the aggression just enough to feel modern and engineered instead of harsh.
The design appears intended to deliver maximum impact in a space-efficient, modern sans structure. By combining a strong oblique slant with rounded-rectangle construction, it aims for speed and power while maintaining a controlled, engineered finish.
The italic angle is pronounced and consistent, helping headlines feel dynamic even in short phrases. Counters tend toward rounded rectangles, giving letters a distinctive “squared oval” personality that remains clear in bold settings. The overall spacing feels tight and efficient, emphasizing a compact, high-impact texture.