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Free for Commercial Use

Wacky Yiko 3 is a light, wide, medium contrast, italic, normal x-height font.

Keywords: posters, headlines, packaging, covers, social, playful, quirky, handmade, energetic, casual, texture, novelty, motion, informality, personality, hatched, striped, textured, sketchy, hand-drawn.


Free for commercial use
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The letterforms are built from simplified, rounded silhouettes that are consistently filled with diagonal hatch marks instead of solid strokes. Edges appear slightly irregular and sketch-like, with open counters and intermittent gaps where the hatching breaks, creating a textured, airy color on the page. The overall construction leans toward geometric simplicity, but the internal striping and rough terminals introduce a deliberate unevenness and a strong graphic pattern.

This font works best for short, attention-grabbing settings such as posters, album or event graphics, playful packaging, headings, and social media titles where the hatched texture can be appreciated. It can also be effective for themed displays that want a sketchbook or doodled feel. For longer passages or small sizes, the internal striping may reduce clarity, so it’s best used at larger sizes with comfortable spacing.

This font gives off a playful, hand-made energy, like lettering filled in with quick pen strokes. The diagonal hatching adds a sense of motion and casual spontaneity, making the tone feel lively and slightly mischievous rather than formal. Overall it reads as quirky and illustrative, suited to moments that benefit from personality over polish.

The design appears intended to simulate a quickly shaded, marker-or-pen fill, turning each glyph into a small graphic object rather than a conventional solid form. By prioritizing internal texture and a consistent diagonal rhythm, it emphasizes visual character and pattern over neutrality and continuous stroke logic. The result is a decorative voice meant to stand out and feel informal.

The diagonal hatching creates a strong directional pattern that visually unifies the alphabet and numerals, and the texture remains consistent across uppercase, lowercase, and figures. Many forms keep generous interior space, helping counters remain readable despite the shaded fill. The overall page color stays light because the letters are more “filled with marks” than built from continuous strokes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸