Sans Normal Bibuf 9 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'City Boys' by Dharma Type, 'Dialog' and 'Frutiger Next Paneuropean' by Linotype, 'Lucida Grande' and 'Lucida Sans' by Monotype, 'Core Gothic N' by S-Core, 'Arlonne Sans Pro' by Sacha Rein, and 'Nuno' by Type.p (names referenced only for comparison).
Keywords: headlines, signage, ui labels, posters, subheads, confident, modern, practical, direct, utilitarian, clarity, efficiency, impact, neutrality, consistency, compact, dense, sturdy, crisp, geometric-leaning.
A clean sans-serif with sturdy, even strokes and generously rounded curves, balanced by crisp terminals. The proportions are compact and efficient, with a steady rhythm and relatively tight apertures that keep word shapes dense and cohesive. Numerals and capitals share the same robust presence, while the lowercase maintains a simple, readable structure with minimal modulation and a consistent, engineered geometry.
Well suited for UI labels, signage, and wayfinding where quick recognition matters. It also fits headlines, posters, and marketing callouts that need a strong, compact typographic voice. In editorial or brand systems it can serve as a straightforward supporting sans for subheads, captions, and navigational elements.
This typeface feels straightforward and contemporary, with an assertive, no-nonsense tone. Its solid weight and clean construction give it a confident, utilitarian voice that reads as practical rather than expressive. Overall it conveys clarity, reliability, and a modern, workmanlike sensibility.
The design appears intended as a dependable, general-purpose sans for clear communication at larger sizes and in short runs of text. Its sturdy stroke weight and simplified forms prioritize immediate recognition and consistent color, supporting emphatic messaging without decorative distraction.
The sample text shows a uniform texture with firm verticals and smooth bowls, producing a stable typographic color. Curved characters (like C/O/S) read round and controlled, while diagonals (V/W/X/Y) are clean and decisive, reinforcing a systematic, modern construction.