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Free for Commercial Use

Cursive Jilib 5 is a light, very narrow, low contrast, italic, very short x-height font.

Keywords: branding, logos, packaging, headlines, invitations, elegant, airy, intimate, fashion-forward, expressive, signature look, personal tone, modern elegance, display focus, quick handwriting, monoline, calligraphic, loopy, tall, slanted.


Free for commercial use
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A slender, monoline handwritten script with a pronounced rightward slant and tall, elongated proportions. Strokes feel pen-drawn and slightly textured, with occasional tapered starts and finishes that add a calligraphic snap without introducing strong thick–thin modulation. Letterforms are open and loosely connected in running text, with generous ascenders/descenders and compact lowercase bodies that create a high, vertical rhythm. Spacing is lightly irregular in a natural way, helping the text look handwritten rather than mechanically uniform.

Best suited for branding, beauty/fashion applications, packaging, and other display uses where a personal signature tone is desired. It also works well for invitations, quotes, and short promotional copy, especially when set with ample leading to accommodate the tall ascenders and descenders. For extended reading or small UI sizes, it will benefit from larger point sizes and careful tracking.

The font reads as refined and personal, balancing casual handwriting with a fashion/editorial polish. Its long, looping forms and brisk slant convey momentum and confidence, giving headlines a sophisticated, signature-like character. Overall it feels modern and stylish rather than playful or rustic.

The design appears intended to capture a quick, confident hand with an elegant, contemporary flair—aiming for a signature script that feels human and expressive while remaining clean and legible in short phrases. Its tall proportions and minimal stroke modulation suggest a focus on graceful rhythm and a lightweight, premium impression.

Uppercase forms are especially tall and gestural, functioning well as initial caps or logo-like marks. The numerals keep the same handwritten cadence, making them suitable as supporting elements rather than dense tabular data. In longer lines, the tight lowercase height and extended strokes can create a lively texture that benefits from comfortable line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸