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Free for Commercial Use

Print Ekdig 2 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Punkfarm' by PizzaDude.dk, and 'Bugleboy' by Stiggy & Sands (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, album art, grunge, handmade, punchy, raw, playful, handmade feel, distressed print, bold impact, informal display, tactile texture, textured, blobby, chunky, inked, irregular.


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A heavy, compact display face with narrow proportions and a visibly hand-rendered, inked silhouette. Strokes are thick and mostly monoline, but edges wobble and break slightly, creating a stamped/painted texture and soft, blobby terminals. Counters are small and uneven, and curves tend to be squashed and vertical, giving the alphabet a dense, column-like rhythm. Overall spacing reads tight and energetic, with small width fluctuations and a deliberately imperfect baseline and contour consistency.

Best suited for short, high-impact text such as posters, headlines, event graphics, packaging callouts, and bold social media typography where texture is a feature. It can work well on labels or merchandise (stickers, tees) where a rough, handmade look is desirable, but it’s less appropriate for long passages or small sizes because the dense shapes and small counters reduce readability.

The font conveys a gritty, DIY attitude—part brushy signage, part distressed stamp. Its dark color and rough perimeter feel loud and assertive, while the rounded, slightly goofy shapes keep it approachable and informal. The texture adds a handmade authenticity that suggests motion and messiness rather than polish.

The design appears intended to mimic thick marker or brush lettering that has been reproduced through a rough print process, preserving edge noise and ink spread. It prioritizes strong tonal coverage and personality over precise geometry, aiming for an expressive, tactile display voice.

Uppercase and lowercase share a similarly weighty, compact construction, helping the style feel consistent across cases. Numerals match the same chunky, irregular treatment and maintain strong presence at display sizes. The distressed edges can close up in smaller settings due to the tight counters and heavy mass.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸