Sans Normal Lyred 6 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Galvani' and 'Impara' by Hoftype; 'Neue Frutiger Hebrew' and 'Neue Frutiger Vietnamese' by Linotype; 'Neue Frutiger World' by Monotype; and 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, sports branding, advertising, packaging, sporty, impactful, energetic, modern, confident, attention-grabbing, speed, bold emphasis, modern branding, slanted, compact apertures, rounded, punchy, high presence.
This typeface is a heavy, right-slanted sans with broad proportions and dense, dark letterforms. Strokes are robust and fairly uniform, with smoothly rounded curves in bowls and counters paired with sharply cut terminals that create crisp edges. The overall rhythm is compact and assertive: apertures tend to be tight, counters are relatively small for the weight, and joins feel sturdy, emphasizing a solid, blocky silhouette. Numerals and capitals maintain the same strong, forward-leaning stance, keeping the set visually consistent in headline settings.
It works best for display typography such as headlines, posters, and short emphatic messaging where strong typographic color is desirable. The energetic slant and sturdy forms also suit sports-oriented branding, promotional graphics, and bold packaging callouts where impact and urgency are key.
The font reads as fast, forceful, and high-energy, with a forward motion that suggests speed and momentum. Its weight and slant give it a promotional, performance-driven tone—more about punch and presence than quiet neutrality.
The design appears intended to deliver maximum visual punch with a streamlined, contemporary sans structure, using a consistent italic angle and clean terminals to project speed and confidence. Its broad stance and dense weight aim to hold attention immediately in display and marketing contexts.
The slant is consistent across cases, helping lines of text feel cohesive and directional. Because of the heavy color and tighter internal space, it visually prefers larger sizes where its shapes can open up and its angular cuts remain clear.