Sans Faceted Midi 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Nilish' by Ahmet Altun (names referenced only for comparison).
Keywords: headlines, logos, posters, game ui, sports branding, techno, industrial, futuristic, gaming, assertive, machined look, sci‑fi styling, display impact, modular geometry, angular, faceted, chamfered, octagonal, geometric.
A geometric, faceted sans with monoline strokes and extensive chamfering that replaces curves with crisp planar cuts. Counters and bowls read as squarish or octagonal forms, and terminals are consistently beveled, giving the design a machined, modular feel. Proportions are compact and sturdy with a steady cap height and a moderate x-height; spacing appears even and the shapes stay clean at display sizes. Numerals and uppercase forms lean toward boxed silhouettes, while lowercase maintains the same angular construction for a unified texture.
Best suited for headlines, logos, and poster typography where its faceted construction can read clearly and contribute to the overall concept. It also fits game UI, tech/event graphics, esports or sports branding, and packaging that benefits from a rugged, mechanical voice. For long passages, it will be more effective in short bursts or larger sizes where the angular details remain legible.
The overall tone is technical and hardened, evoking industrial signage, sci‑fi interfaces, and arcade-era digital aesthetics. Its sharp corners and clipped curves project energy and confidence, with a slightly utilitarian, engineered character rather than a soft or friendly one.
The letterforms appear designed to translate a clean sans structure into a consistently polygonal system, emphasizing chamfered corners and modular geometry for a futuristic, engineered impression. The intent is likely to deliver a strong display face that remains orderly and readable while conveying a distinctly technical, machine-cut aesthetic.
Diagonal joins and notches are used to create distinctive silhouettes (notably in letters like K, M, N, V, W, and X), and rounded letters (such as O/C/G) are rendered with polygonal segmentation for consistency. The design favors strong silhouette recognition over calligraphic nuance, producing a high-contrast rhythm of straight segments and beveled corners.