Sans Superellipse Dave 6 is a light, very wide, monoline, upright, normal x-height font.
Keywords: ui design, app branding, tech logos, product labeling, wayfinding, futuristic, technical, clean, sleek, minimal, sci‑fi aesthetic, system design, modern branding, clarity, rounded, squared, geometric, modular, streamlined.
This typeface is built from rounded-rectangle and superellipse-like forms with consistent corner radii and smooth, even curves. Strokes are uniform and open counters are generous, giving letters a clear, airy structure despite the soft-squared geometry. Many joins and terminals resolve into straight segments with rounded ends, creating a modular rhythm; several characters use distinctive cut-ins and simplified constructions (notably in the diagonals and bowls) that reinforce a coherent, system-like feel. The overall spacing reads comfortable and the proportions emphasize horizontal reach, with forms staying stable and controlled across uppercase, lowercase, and numerals.
It suits user interfaces, dashboards, and digital product experiences where a crisp, contemporary voice is needed. The geometric, soft-squared shapes also work well for technology branding, packaging, and signage systems, particularly at medium to larger sizes where the distinctive constructions and rounded details read clearly.
The tone is modern and tech-forward, evoking interface typography, sci‑fi labeling, and contemporary industrial design. Its rounded geometry softens the mood, keeping it approachable rather than aggressive, while the streamlined construction still reads precise and engineered.
The design appears intended to deliver a futuristic, systematized sans with a friendly edge—combining engineered geometry with softened corners for clarity and visual consistency. It aims for a distinctive display presence while remaining structured enough for repeated patterns in UI and product communication.
In text, the uniform stroke and rounded corners produce a smooth grayscale and a consistent cadence from line to line. The punctuation and dots appear restrained and neatly integrated, supporting a clean, instrument-panel aesthetic without drawing attention away from the letterforms.