Sans Normal Okmas 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Helvetica', 'Neue Helvetica Armenian', 'Neue Helvetica Georgian', 'Neue Helvetica Paneuropean', 'Neue Helvetica Thai', and 'Neue Helvetica World' by Linotype and 'Nimbus Sans Arabic', 'Nimbus Sans Novus', and 'Nimbus Sans Round' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, ui labels, signage, posters, packaging, modern, clean, direct, confident, utilitarian, clarity, impact, versatility, neutrality, grotesque, neutral, blocky, compact, high legibility.
A sturdy sans with heavy, even strokes and clean terminals, built from simple geometric construction softened by rounded curves. Counters are open and generous for the weight, with a compact, efficient rhythm and minimal stroke modulation. Uppercase forms are straightforward and architectural (notably the broad bowls and strong verticals), while lowercase maintains clear differentiation and stable proportions; the double-storey a, single-storey g, and the sturdy, footed t reinforce a practical text voice. Numerals are robust and highly readable, with rounded forms that keep the texture consistent across mixed settings.
Well suited to headings and display typography where strong presence and quick readability are needed, such as posters, marketing, and packaging. Its clear shapes and consistent texture also make it a solid choice for interface labels, navigation, and straightforward informational graphics.
The tone is modern and matter-of-fact, prioritizing clarity and impact over personality. It reads as confident and dependable, with a neutral, workhorse character that feels at home in contemporary UI and brand systems.
The design appears intended as a no-nonsense, contemporary sans that delivers high legibility and strong visual emphasis while remaining neutral enough for broad everyday use.
Spacing appears balanced for dense set copy at larger sizes, producing a dark, even typographic color without looking cramped. The round letters (O, C, G, Q) keep a smooth silhouette, while diagonal forms (K, V, W, X, Y) are cut cleanly, giving a crisp overall rhythm.