Stencil Geka 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Jasan' by Storm Type Foundry, and 'Elysio' and 'Predige' by Type Dynamic (names referenced only for comparison).
Keywords: posters, headlines, signage, logos, packaging, industrial, art deco, maritime, military, mechanical, stenciled marking, display impact, retro styling, signage clarity, geometric, high impact, poster, angular, cutout.
A heavy, geometric display face with pronounced stencil breaks that slice many verticals, bowls, and diagonals into clean segments. Strokes are largely monolinear and upright, with tall caps and compact, sturdy lowercase forms. Several letters show sharp, triangular terminals and cut-in notches (notably in diagonals like A, V, W, X and in curving forms like S), creating a crisp, engineered rhythm. Counters are generous for the weight, and the numerals are bold and blocky with the same segmented construction for consistent texture.
Best suited for attention-grabbing display settings such as posters, headlines, brand marks, and signage where the stencil breaks can read clearly. It also works well for packaging and labels that benefit from an industrial or retro-technical feel. For longer passages, it’s most effective at larger sizes where the internal cuts remain crisp.
The segmented construction and blunt, machined silhouettes give the font an industrial, utilitarian voice with a vintage showcard edge. It reads as assertive and functional, evoking signage, equipment marking, and stylized retro display work rather than a soft or conversational tone.
Designed to deliver a bold, high-impact look through a consistent stencil logic and geometric, constructed letterforms. The goal appears to be a distinctive display texture that feels engineered and reproducible, while preserving recognizable silhouettes across capitals, lowercase, and numerals.
The stencil bridges are visually substantial and regularly placed, helping maintain legibility at larger sizes while producing distinctive internal breaks in round letters like O and Q. The overall spacing and strong vertical emphasis create a tight, commanding color in text, with the most character coming from the angled cut-ins and split strokes.