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Sans Other Ryges 7 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, ui, signage, techno, digital, futuristic, industrial, retro-tech, readout, coding, labeling, sci-fi, precision, angular, boxy, segmented, modular, geometric.


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The letterforms are built from straight strokes and crisp 90° corners, with frequent internal cut-ins and open counters that create a segmented, modular look. Strokes show deliberate contrast between heavier verticals and thinner horizontals, giving the design a precise, engineered rhythm. Proportions skew narrow and compact, with squared bowls, angular joins, and occasional diagonals used sparingly for character definition. The texture on the line is clean and grid-like, emphasizing geometry over natural handwriting or classical construction.

It works well for sci‑fi or tech branding, game UI headings, interface mockups, posters, and title sequences where a digital/industrial aesthetic is desired. The modular, angular forms suit logos, product naming, and short bursts of text such as labels, navigation, or on-screen readouts. It is especially effective at larger sizes where the internal cut details and contrast can be clearly seen.

This face conveys a distinctly technical, coded tone—like a readout from a machine interface or a schematic label. Its sharp angles and segmented construction feel futuristic and utilitarian, with a subtle retro-digital edge. The overall mood is controlled and mechanical rather than friendly or expressive.

The design appears intended to evoke electronic display logic and technical drafting, using segmented structures and hard-edged geometry to suggest system text rather than prose typography. Contrast and open internal spaces help separate characters and reinforce a mechanical, instrument-like voice. Its construction prioritizes graphic identity and a distinctive rhythm over conventional text softness.

Uppercase and lowercase share a consistent architectural system, with squared shapes and purposeful apertures that make the design feel constructed from parts. Numerals and punctuation follow the same rectilinear logic, keeping the overall palette coherent and strongly stylized.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸