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Sans Normal Anbug 1 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Digital Sans' by Blaze Type, 'Harmonia Sans' and 'Harmonia Sans Paneuropean' by Monotype, 'Almarose' by S&C Type, 'Soleil' by TypeTogether, and 'URW Geometric' by URW Type Foundry (names referenced only for comparison).

Keywords: ui text, branding, signage, editorial, presentations, clean, neutral, modern, friendly, functional, versatility, clarity, contemporary tone, neutral branding, everyday readability, geometric, rounded, crisp, balanced, open.


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This is a clean geometric sans with smooth, rounded curves and straightforward, even construction. Bowls and counters tend toward circular forms (notably in O/C/G and the numerals), while terminals are mostly flat and decisive. The overall rhythm is steady and uncluttered, with open apertures and clear internal spaces that help letters stay distinct at text sizes. Uppercase shapes feel orderly and symmetrical, and the lowercase follows the same geometric logic with simple, readable forms and minimal idiosyncrasy.

It suits interface and product typography where straightforward legibility is required, as well as corporate branding, wayfinding, and general-purpose editorial layouts. The clean geometry and even texture also make it a solid choice for presentations and marketing copy that needs a contemporary, no-nonsense voice.

The tone is modern and neutral, with a friendly clarity that comes from rounded geometry and open counters rather than expressive quirks. It reads as practical and approachable—confident without feeling aggressive or overly technical.

The design appears intended as a versatile, geometric workhorse: a contemporary sans that stays out of the way while remaining crisp and readable. Its consistent curves and restrained details suggest an emphasis on clarity, broad usability, and a tidy visual texture across both display and text settings.

Round letters (O, Q, 0, 8, 9) maintain consistent curvature, giving the font a cohesive, systematized feel. Diagonal forms (V/W/X/Y) are crisp and stable, and punctuation in the sample text blends in quietly without drawing attention away from content.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸