Sans Normal Abdak 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Amino' by Cadson Demak, 'Seconda Soft' by Durotype, 'FS Benjamin' by Fontsmith, 'Recht' by Mint Type, 'Intelo' by Monotype, 'Almarose' by S&C Type, and 'Klein' by Zetafonts (names referenced only for comparison).
Keywords: ui labels, product branding, wayfinding, headlines, posters, modern, technical, efficient, clean, forward-leaning, emphasis, clarity, modernity, momentum, utility, oblique, humanist, rounded, open counters, single-storey.
A slanted sans with smooth, rounded construction and consistently low contrast, giving strokes an even, steady color. Curves are broadly elliptical with open apertures and clean joins, while terminals tend to be softly cut rather than sharply tapered. Proportions are balanced and contemporary, with a straightforward rhythm and ample internal space that keeps letters readable at a range of sizes. Numerals follow the same oblique stance and rounded geometry, producing a cohesive, utilitarian set.
Well-suited to interface typography, dashboards, and product or app branding where an oblique sans can add motion without sacrificing clarity. It can also work for concise headlines, signage, and promotional graphics that benefit from a clean, contemporary italic voice.
The overall tone feels modern and purposeful, with an energetic forward lean that suggests motion and momentum. Its restrained detailing and even stroke make it feel objective and workmanlike, leaning toward a tech and interface sensibility rather than expressive calligraphy.
The design appears intended to provide a practical italic sans for modern communication—combining a clear, rounded skeleton with a consistent slant to add emphasis and pace. The emphasis is on legibility, cohesion across letters and figures, and a contemporary, no-nonsense presence.
The italic angle is evident across both capitals and lowercase, but the shapes remain structurally simple and sans-like rather than script-driven. Rounded forms like O/C/G read smooth and stable, while diagonals (V/W/X/Y) emphasize the font’s brisk, directional character.