Sans Superellipse Iffi 5 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Plasma' by Corradine Fonts, 'Rigid Square' by Dharma Type, 'Erbaum' by Inhouse Type, and 'Univia Pro' by Mostardesign (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, techno, industrial, retro, assertive, playful, high impact, geometric clarity, tech branding, retro futurism, blocky, rounded, squarish, geometric, compact.
A heavy, geometric sans with rounded-rectangle (superelliptic) construction and broadly squared counters. Strokes are uniform and dense, with corners consistently softened rather than sharply cut, creating a strong, compact silhouette. Curves resolve into flattened arcs and squared bowls, while horizontals and verticals dominate the rhythm; diagonals appear sparingly and feel engineered. The lowercase stays sturdy and simplified, with short joins and closed, boxy forms that maintain a tight, modular texture in words.
Best suited to short, high-impact settings such as headlines, posters, branding marks, and product packaging where a bold, geometric voice is desired. It can also work for signage and UI labels when large enough, as the compact, squared counters and heavy strokes are optimized for display rather than long text.
The overall tone is bold and machine-made, evoking a techno, arcade, or industrial voice. Its rounded corners keep the aggression in check, adding a friendly, toy-like softness while preserving an authoritative, high-impact presence. The result feels simultaneously retro-futuristic and utilitarian.
The design appears intended to deliver maximum visual punch with a controlled, modular geometry—pairing rounded corners with squared interiors to create a distinctive superelliptic identity. It prioritizes strong silhouettes and consistent rhythm for attention-grabbing display typography.
The numerals and capitals read especially well at display sizes, with generous interior shapes that stay clear despite the weight. The design favors uniformity and a strong grid logic, producing a chunky word color and a distinctive, engineered cadence in headlines.