Inline Hetu 15 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, packaging, signage, retro, industrial, arcade, technical, sporty, attention, dimension, retro tech, impact, branding, double-line, rounded corners, stencil-like, blocky, monoline accent.
A squared, rounded-corner sans with heavy outer strokes and a continuous inline channel that creates a double-line effect through most letters. Curves are geometric and controlled, with softened corners and mostly uniform stroke thickness; the inline cut maintains a steady rhythm and gives counters a framed look. Proportions are compact and slightly condensed in many glyphs, with simple, engineered terminals and occasional slab-like feet on stems. The overall construction feels modular, as if drawn on a grid, with consistent interior spacing that keeps the inline readable in both caps and lowercase.
Best suited for display applications where the inline detail can breathe—headlines, posters, branding marks, packaging titles, and wayfinding or venue signage. It can also work for short UI labels or scoreboard/arcade-themed graphics when set at sufficiently large sizes.
The inline carving and squared geometry evoke retro display typography associated with arcade screens, industrial labeling, and classic sports or automotive graphics. It reads as confident and mechanical, with a playful tech flavor created by the outlined interior channel.
The font appears designed to deliver a bold, attention-grabbing display voice by combining a solid geometric skeleton with a carved inline, producing a layered, dimensional impression without relying on contrast. Its consistent, modular shapes suggest an intent to feel engineered and repeatable across a broad set of glyphs.
The design relies on negative space for its signature look, so small sizes may reduce the visibility of the inner channel while larger settings emphasize the dimensional, sign-paint-like effect. The figures and capitals carry a strong, poster-ready presence, and the lowercase follows the same constructed logic for a cohesive texture in longer lines.