Sans Other Ufrez 12 is a very light, normal width, monoline, italic, normal x-height font.
Keywords: headlines, branding, posters, ui labels, packaging, airy, playful, futuristic, elegant, friendly, modern display, distinctive identity, lightweight elegance, geometric clarity, rounded, geometric, clean, minimal, open.
A very thin, smooth-stroked sans with a consistent monoline texture and gently slanted, italic posture. Forms lean geometric with generously rounded curves, open apertures, and soft terminals that often finish with subtle hooks or slight curvature rather than blunt cuts. Uppercase construction mixes circular bowls (C, G, O, Q) with simplified, straight-sided structures (E, F, H), while the lowercase keeps a light, sketch-like rhythm with single‑storey a and g and compact, rounded shoulders. Numerals are equally light and airy, with a notably open, looped 8 and curved, streamlined 2 and 3, reinforcing the delicate, continuous-line feel.
Best suited to display sizes where its hairline stroke can stay crisp: headlines, short promotional copy, branding wordmarks, packaging accents, and lightweight UI labels. It can work for brief passages when set with ample size and line spacing, but its delicacy favors airy layouts and high-contrast reproduction.
The overall tone reads modern and buoyant, with a refined, almost sci‑fi cleanliness tempered by friendly roundedness. Its thin stroke and soft endings give it an elegant, slightly whimsical voice that feels more expressive than utilitarian.
The design appears intended to provide a minimal, contemporary sans with a distinctive, streamlined character—combining geometric simplicity with soft, expressive terminals for a recognizable voice in titles and identity work.
Spacing appears comfortable and the counters are kept open, which helps the design stay legible despite its extremely light stroke. The italic angle and recurring rounded terminals create a cohesive, flowing cadence across mixed-case text, while occasional hook-like finishes add personality without becoming ornamental.