Cursive Komoh 5 is a very light, normal width, medium contrast, italic, very short x-height font.
Keywords: invitations, branding, logotypes, headlines, packaging, elegant, romantic, airy, refined, personal, handwritten elegance, signature feel, decorative caps, display script, calligraphic, looping, flowing, slender, high-ascenders.
A slender, flowing script with a consistent rightward slant and long, tapered entry/exit strokes. Letterforms are built from smooth, elliptical curves and narrow counters, with a pen-like modulation that keeps strokes delicate but clearly defined. Ascenders and capitals are tall and expressive, while the lowercase sits low with compact bodies and generous extenders, producing a pronounced vertical rhythm. Spacing is open and the connections feel continuous, giving words a gentle, forward-moving cadence rather than a rigidly uniform texture.
Works best for short to medium-length text where its delicate strokes and tall proportions can breathe—such as invitations, greeting cards, beauty or wedding branding, product labels, and refined editorial or social headlines. It is especially effective as a signature-style accent paired with a simple sans or serif for supporting copy.
The overall tone is graceful and intimate, like neat handwritten correspondence. Its light touch and looping forms suggest formality without stiffness, leaning toward romantic, boutique, and celebratory uses. The script feels polished yet personal, suited to conveying warmth and care.
The design appears intended to emulate a clean, calligraphic handwriting style with elegant loops and a light, pen-drawn presence. It prioritizes fluid word shapes and decorative capitals to create a premium, personal feel in display-oriented settings.
Capitals feature prominent swashes and elongated cross-strokes that can add flourish at the start of words. Numerals follow the same cursive logic, with single-stroke constructions and rounded turns that match the letter rhythm. The very small lowercase body relative to ascenders/descenders makes lines feel tall and spacious, especially in mixed-case settings.