Outline Umna 3 is a light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, packaging, titling, art deco, elegant, airy, stylized, vintage, decoration, retro feel, branding, headline impact, architectural rhythm, inline, monoline, geometric, ornamental, display.
A monoline outline/inline design with consistent stroke weight and a distinctive double-line construction that creates open counters and interior channels. The forms are largely geometric, with round bowls and clean, linear stems; many glyphs show parallel verticals and inset lines that emphasize structure. Curves are smooth and restrained, terminals tend toward clean finishes, and overall spacing feels even, producing a crisp, architectural rhythm. Numerals echo the same double-stroke motif, with clear silhouettes and decorative interior spacing rather than filled weight.
Best used for headlines and short-form display settings where the inline outlines can be appreciated—logos, wordmarks, posters, packaging, invitations, and editorial titling. It can work for brief text passages at comfortable sizes, but the fine outline construction is most effective when given room and contrast against the background.
The repeated inline strokes and geometric proportions give the face a refined, Deco-leaning display tone. It feels polished and ornamental without becoming overly fussy, reading as stylish, airy, and slightly theatrical—suited to sophisticated, retro-inflected branding.
Likely designed to provide a decorative outline/inline option that evokes classic display typography through geometric construction and repeated parallel strokes. The goal appears to be a distinctive, elegant presence that stays legible through clear silhouettes while adding ornament via internal channels.
The double-line construction is most prominent on vertical strokes and around bowls, creating a consistent “outlined with inner track” effect that reads clearly at larger sizes. In text, the open interiors and tight linework make it visually lively, with a strong emphasis on contour and negative space rather than mass.